Book: The North (and almost everything in it) by Paul Morley (582 pages)
Published: 2014 (Paperback version)
Genre: Memoir, Historical Non-fiction
Period: Mostly late 1950s to early 1970s Stockport, North West England, but gives a brief history (mostly focusing on Manchester) from roughly the Romans to 1976.
Rating: 6/10
The North (and almost everything in it) by Paul Morley is half memoir and half history book about the North of England. Morley takes his own personal story about growing up in Reddish, less than 5 miles away from Manchester, and interjects it with various social and cultural history of Northern England. As a northerner, the book intrigued me. I was curious to read more about the North, however, the book wasn’t as I expected. Morley focuses heavily on the Manchester area with sprinklings of facts from Yorkshire, Cumbria, County Durham and Northumberland. This is understandable because to fit the entire history of the North in under 600 pages is a difficult feat but it does mean the title doesn’t quite fit and some may find disappointing. On the other hand, it’s not a terrible book and is a fairly enjoyable, interesting read.
Morley mostly focuses on the Manchester area because that’s where he spent a majority of his childhood. It would have been interesting to have a broader scope within the book (and admittedly this was what I was expecting with a title like The North (and almost everything in it). ) Another source of interest in the book is how Morley identifies with and views the North. Morley calls himself a northerner despite being born in Kent, where he lived for the first five years of his life. He also moved to London in the mid-seventies and has never left since and still identifies as a northerner. This showed that everyone has a different view of the north and what it means to be northern and that was interesting to read about. Morley’s writing is also very nostalgic. I think people who grew in the Manchester area in the mid-twentieth century would find it to be reminiscent and enjoy reading this book for this reason.
It is clear that Morley, clearly researched the book but my main issue with the book was 
that it was very higgledy-piggledy throughout the book. Morley would start on one topic but then veer off topic and proceed to tell you everything he knew about the new topic and then maybe move on to another topic without a clear link. Eventually, he would return back to the original, however, because it had been so long, I struggled to remember his original point. Morley wanted the reader to know everything he knew, unfortunately, it did seem like it was a huge information dump at times.
The photographs used in the book were placed in an illogical order. It was as if Morley had worn a blindfold and placed the photographs between pages randomly hoping for the best. For example, on pages 196- 197, Morley wrote about Mrs Elizabeth Raffald (acclaimed creator of the Eccles cake) and her successful cookery book published 1769, but the picture chosen is an image of Fred Perry, who won Wimbledon in 1928. Morley does talk about Fred Perry further in the book but his description starts on page 467.
Morley presented the social and cultural history in a unique way. Working back from 1976 and finishing in 1515, he presented key dates and events (ranging from births of famous people to inventions and visitations and everything in between). I really enjoyed this aspect because it meant you could see how things progressed and changed. It was absolutely fascinating. However, one thing I found rather confusing to why the dates were chosen and frustrating that he never explains his choice.
Although frustrating to read at times, Morley can write well and has a strangely hypnotic tone. I found myself repeatedly returning to read the book time and time again. Unfortunately, I didn’t take away too much away from the book but it was a relaxing read (at times) as it reminded me how complex and exciting the North is. The book is most suitable for those who are from the Manchester area in the mid-twentieth century, or those who have a vague interest in reading about other people’s lives (if you’re nosey like me). As a history book, it is not the strongest example but it is a good starting point. Because Morley covers a lot of topics, it can inspire new interests for a whole variety of different people. All in all, this book is fairly interesting to read and it is quite easy to keep returning back to. It gains the overall rating of 6/10.
Book: The Man Behind the Bayeux Tapestry: Odo, William the Conqueror’s Half Brother by Trevor Rowley (192 pages)
I’m not gonna lie but re-enactment is an expensive hobby. For each training session you attend (with my re-enactment group at least) there is no cost. However, it’s quite an investment buying all the kit, getting to shows and yearly membership fees. Prices vary hugely between period, rank and gender. For example, because I participate in both fighting and living history, I have to portray two genders (because women weren’t allowed to fight) so have twice the kit. I also have ranked up a couple of tiers in the past 3 years so have had to make my
Re-enactment is not the safest of hobbies. You are going to get hurt fighting others in line battles whether you like it or not. Yes, the weapons are blunt but they are still made out of thick steel and wood. You will normally get hundreds of bruises from a single session (my only quibble with the bruises I get is that I get most of them on my upper thighs and cannot show off my battle wounds without getting arrested for indecent exposure). However, because it’s a dangerous hobby more serious injuries can occur- usually accidents nobody goes out to inflict actual harm. Examples which have happened at the sessions and shows I have attended include knee dislocations, spines been trampled on, concussion and little fingers being sliced off. These accidents have been extremely rare but they can happen so it is worth being aware of the dangers.
Shows usually take place between April and October and because the shows take place across the United Kingdom the weather changes a lot. This means that the temperature can vary a lot, even within the same show. There was a weekend show I attended last year where I awoke to ice on the tents and by midday, I was melting because it got so much warmer during the day. It also does not help that a lot of my kit involves being wool so wearing wool in the summer is nobody’s idea of fun. (It’s also not fun if, like me, you have eczema which flares up when if you wear a lot of woollen clothes). Wool is only so waterproof as well, so if you’re at a show where it constantly rains you are going to get cold very quickly especially if it’s blowing a gale because the water slowly soaks through your clothes and doesn’t dry. Some people are ok with this factor but I don’t really cope well with being too cold or being too warm.
This is another personal reason. I find it personally very annoying having to take two sets of kit to shows because I just have so much more stuff to take in comparison to male re-enactors. It also means where I could take a blanket or two for camping, the space in your bag is taken up by re-enactment clothes so you have to make the choice of being warm at night or fighting in the line battle at the show. If you do decide to not fight in the show, things get super boring. There’s only so much women can do at shows. They can either cook, do chores, or braid, embroider or weave if they are the right tier. As someone who has to do something and lacks a lot of drapery skills (my cloth making skills are very well known in the group, so much so people are scared whenever I cut cloth out) I often rush about collecting water or do the washing up every five minutes until I get told off because I’m doing all the chores and somebody else has to do them because people don’t understand that I need to have something to keep me busy. Also, as a female re-enactor, it is inevitable you will experience a show whilst it’s that time of the month (which is not fun, believe me!)







